Two sides of one company. Tickets for every show we put on, and the agency that books them — from the first call to the final settlement.
Keep scrolling — the reel moves with you. Tap a show for tickets; a run across cities opens the picker.
Presales and drops before they hit the open market. One or two texts a month, nothing else.
Shows on sale, flyers, presales. If you want in the room, you were just there.
Rooms, artists, promoters and venues. How the shows above get made.
You want an artist. We take it from the idea to the settlement, and every step in between.
We don’t hand you a roster. We open the door to every major booking agency — direct lines to the people who actually book, built over more than a decade of running shows.
Bring the room, the date, or just the name. No deck and no budget needed to start, and if the idea doesn’t work you hear it in week one, not month three.
One contact from the first call to the final statement. The creative, the ticketing and the advancing are all in house, so the campaign starts the day the date locks.
Hundreds of acts booked, coast to coast.
A room with a gap in the calendar, an artist you can’t get a line to, or a brand that wants a night instead of a banner.